A & E

December 3, 2010

Let It Be: A Christmas Message From Stars Who Once Were

January 16, 2005

Starry, Starry Night, Paint Your Palette Blue and Grey

“As for me, I am rather often uneasy in my mind, because I think that my life has not been calm enough; all those bitter disappointments, adversities, changes keep me from developing fully and naturally in my artistic career.”

Sent in by VanRamblings reader Daryl Magnusson, an artful retrospective on Vincent van Gogh, an absolutely gorgeous and inspiring presentation on the father of Impressionism.

To view the Powerpoint presentation click here.

April 4, 2004

Boredom As A Lost Art Form

Danish philosopher Søren Kierkegaard called it “the root of all evil.” The English Romantic poet William Wordsworth described it as a “savage torpor.” To Seán Desmond Healy, the author of one of several book-length studies on the subject, boredom is the “silent scourge” of modern culture. Known as “acedia” to centuries of Christians, it was nothing less than a sin.

As an elementary and secondary public school teacher, the most common lament I heard each day was “I’m bored.”

In an age of quick-cut MTV videos, overamped special-effects action flicks, hip-hop and urban radio blaring into our ears from every direction, the frantic chirping of our cell-phones and the insistent beeps of instant messaging, not to mention all of those readily available pharmaceuticals which have been designed to enhance the ‘dreariness’ of our day-to-day existence, it would appear that boredom is a facet of our prosaic lives that is to be avoided at all costs.

San Francisco Chronicle Arts and Culture Critic Steven Winn isn’t quite so sure that boredom is all that unhealthy a feature of our lives. Quoting choreographer Brenda Way who, when she finds herself in a sluggish lane of traffic, often stays put, “the unfocused, unintentional time of feeling bored ... opens the unconscious scanning that’s the very stuff of problem solving and creativity.”

Others have something to say on the subject, as well.

“Boredom is paradise,” exults the poet Billy Collins, by e-mail from New York. It’s “the blessed absence of what the world offers as ‘interesting,’ i.e., the lures of fashion, media and other people, which, you may recall, Sartre considered Hell.”

We’ll leave the final words on the subject of boredom to Winn: “A culture frantic to entertain, stimulate, divert and inform us is in no danger of drowning out boredom. If anything, it may make that placid sense of turning off and turning away, buoyantly detached and rising to the opportunity, more valuable than ever.”

March 31, 2004

Not Stuffy: A Child-Friendly Museum Going Experience

Mornin', Debra (or, afternoon in New York, as the case may be).

Fellow weblogger, Debra Galant, has a story in today's New York Times, writing on how, as interview subject Dr. Alison Griffiths — an associate professor in the department of communication studies at Baruch College in New York — puts it, “Kids are being specifically targeted as really important museumgoers.”

Debra's story addresses the issue of the impact of the recent movement towards the “the Disneyfication of museums”, and the consequent lack of intellectual rigour that the more contemporary, and frenzied, multi-media approach to drawing children's museum-going interests is having on museums today. Obviously, museum traditionalists express frustration and consternation at this ‘unwelcome’ turn of events.

Well worth reading. Check it out.

February 12, 2004

Why Arts Coverage Should be More Like Sports

On any given week, arguably more people attend arts events than professional sports. Movies, theatre, dance recitals, and concerts collectively draw large numbers.

Then why is the daily sports section of our local newspapers twelve to eighteen pages on a regular basis while the daily arts sections are small, four to six page sections full of wire copy — if you can find them at all?

Chris Lavin, senior editor for special sections at the San Diego Union-Tribune, attempts to answer the question. Read the text of his speech to the national convention of the Association of Performing Arts Service Organization.